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The collection’s most prominent note was one of Parisian twee. While much of the collection felt distinctly, classically Parisian, Nigo did infuse this overarching aesthetic with some welcome strains of his and Kenzo’s shared Japanese design heritage. Overalls were cut with reference to Japanese dressmaking; wrap shirts were informed by hanten jackets; samue, the workwear worn by Japanese potters, inspired tops with kimono-like structures.

Prints- floral, stripes, tigers, and check (Takada Kenzo first rocked Paris’ snobby fashion scene with his overflowing and eclectic combinations of colorful prints), a few pieces feature prints of the founder’s own sketches.

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